Our apologies for the late start, but A.B.C. meetings will resume in Week 3! We have a lot of new things planned this quarter and I hope you all can join us.
A.B.C. Meetings
When: Wednesdays 4:30-5:30 (first meeting in week 3)
Where: UCI Bookstore
Membership fees are $10/quarter and $20/year (optimal). You do not have to be a member to join our discussions, but events and activities are covered for those with memberships.
We are proud to announce the new theme for this quarter: Twisted Tales, in honor of Halloween. The following is the book list in the order we will be reading them:
1. Haunted: A Novel of Stories by Chuck Palahniuk
Summary: Twenty-three of the most horrifying, hilarious, mind-blowing, stomach-churning tales you’ll ever encounter—sometimes all at once. They are told by people who have answered an ad headlined “Writers’ Retreat: Abandon Your Life for Three Months,” and who are led to believe that here they will leave behind all the distractions of “real life” that are keeping them from creating the masterpiece that is in them. But “here” turns out to be a cavernous and ornate old theater where they are utterly isolated from the outside world—and where heat and power and, most important, food are in increasingly short supply. And the more desperate the circumstances become, the more extreme the stories they tell—and the more devious their machinations become to make themselves the hero of the inevitable play/movie/nonfiction blockbuster that will surely be made from their plight.
2. Macbeth by William Shakespeare
Summary: Macbeth is among the best-known of William Shakespeare's plays, and is his shortest tragedy, believed to have been written between 1603 and 1606. Often regarded as archetypal, the play tells of the dangers of the lust for power and the betrayal of friends. It also includes a reach out to the paranormal, on ghosts and witches, their warnings and their curses.
3. Heart-Shaped Box by Joe Hill
Summary: Aging death-metal rock legend Judas Coyne is a collector of the macabre: a cookbook for cannibals...a used hangman's noose...a snuff film. But nothing he possesses is as unique or as dreadful as his latest purchase off the Internet: a one-of-a-kind curiosity that arrives at his door in a black heart-shaped box...a musty dead man's suit still inhabited by the spirit of its late owner. And now everywhere Judas Coyne goes, the old man is there—watching, waiting, dangling a razor blade on a chain from his bony hand.
We are planning to accompany our readings of perverse, horror-inspired stories with different activities / events such as taking a ghost tour or one-time course on the paranormal, attending a Shakespeare play, or watching horror films based on novels. Please drop by the first meeting for more details! We will also be discussing what we have read so far in Chuck Palahniuk's Haunted.
Showing posts with label Currently Reading. Show all posts
Showing posts with label Currently Reading. Show all posts
Friday, October 1, 2010
Monday, March 15, 2010
SPRING QUARTER BOOK LIST
BANNED BOOKS- Spring 2010
Catcher in the Rye by JD Saliger (277 pages)
Summary: Since his debut in 1951 as The Catcher in the Rye, Holden Caulfield has been synonymous with "cynical adolescent." Holden narrates the story of a couple of days in his sixteen-year-old life, just after he's been expelled from prep school, in a slang that sounds edgy even today and keeps this novel on banned book lists. It begins, "If you really want to hear about it, the first thing you'll probably want to know is where I was born and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth. In the first place, that stuff bores me, and in the second place, my parents would have about two hemorrhages apiece if I told anything pretty personal about them." His constant wry observations about what he encounters, from teachers to phonies (the two of course are not mutually exclusive) capture the essence of the eternal teenage experience of alienation.
Slaughterhouse-5 by Kurt Vonnegut (186 pages)
Summary- Kurt Vonnegut's absurdist classic Slaughterhouse-Five introduces us to Billy Pilgrim, a man who becomes unstuck in time after he is abducted by aliens from the planet Tralfamadore. In a plot-scrambling display of virtuosity, we follow Pilgrim simultaneously through all phases of his life, concentrating on his (and Vonnegut's) shattering experience as an American prisoner of war who witnesses the firebombing of Dresden. Don't let the ease of reading fool you--Vonnegut's isn't a conventional, or simple, novel. He writes, "There are almost no characters in this story, and almost no dramatic confrontations, because most of the people in it are so sick, and so much the listless playthings of enormous forces. One of the main effects of war, after all, is that people are discouraged from being characters..." Slaughterhouse-Five (taken from the name of the building where the POWs were held) is not only Vonnegut's most powerful book, it is as important as any written since 1945. Like Catch- 22, it fashions the author's experiences in the Second World War into an eloquent and deeply funny plea against butchery in the service of authority. Slaughterhouse-Five boasts the same imagination, humanity, and gleeful appreciation of the absurd found in Vonnegut's other works, but the book's basis in rock-hard, tragic fact gives it a unique poignancy--and humor.
Of Mice and Men by John Steinbeck (107 pages)
Summary- Steinbeck refuses to allow himself to be pigeonholed. This is as completely different from Tortilla Flat and In Dubious Battle as they are from each other. Only in his complete understanding of the proletarian mentality does he sustain a connecting link - though this is assuredly not a "proletarian novel". It is oddly absorbing - this picture of the strange friendship between the strong man and the giant with the mind of a not-quite-bright child. Driven from job to job by the failure of the giant child to fit into the social pattern, they finally find - in a ranch - what they feel their chance to achieve a homely dream they have built. But once again, society defeats them. There's a simplicity, a directness, a poignancy in the story that gives it a singular power, difficult to define. Steinbeck is a genius - and an original.
Catch-22 by Joseph Heller (453 pages)
Summary- There was a time when reading Joseph Heller's classic satire on the murderous insanity of war was nothing less than a rite of passage. Echoes of Yossarian, the wise-ass bombardier who was too smart to die but not smart enough to find a way out of his predicament, could be heard throughout the counterculture. As a result, it's impossible not to consider Catch-22 to be something of a period piece. But 40 years on, the novel's undiminished strength is its looking-glass logic. Again and again, Heller's characters demonstrate that what is commonly held to be good, is bad; what is sensible, is nonsense.
Catcher in the Rye by JD Saliger (277 pages)
Summary: Since his debut in 1951 as The Catcher in the Rye, Holden Caulfield has been synonymous with "cynical adolescent." Holden narrates the story of a couple of days in his sixteen-year-old life, just after he's been expelled from prep school, in a slang that sounds edgy even today and keeps this novel on banned book lists. It begins, "If you really want to hear about it, the first thing you'll probably want to know is where I was born and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth. In the first place, that stuff bores me, and in the second place, my parents would have about two hemorrhages apiece if I told anything pretty personal about them." His constant wry observations about what he encounters, from teachers to phonies (the two of course are not mutually exclusive) capture the essence of the eternal teenage experience of alienation.
Slaughterhouse-5 by Kurt Vonnegut (186 pages)
Summary- Kurt Vonnegut's absurdist classic Slaughterhouse-Five introduces us to Billy Pilgrim, a man who becomes unstuck in time after he is abducted by aliens from the planet Tralfamadore. In a plot-scrambling display of virtuosity, we follow Pilgrim simultaneously through all phases of his life, concentrating on his (and Vonnegut's) shattering experience as an American prisoner of war who witnesses the firebombing of Dresden. Don't let the ease of reading fool you--Vonnegut's isn't a conventional, or simple, novel. He writes, "There are almost no characters in this story, and almost no dramatic confrontations, because most of the people in it are so sick, and so much the listless playthings of enormous forces. One of the main effects of war, after all, is that people are discouraged from being characters..." Slaughterhouse-Five (taken from the name of the building where the POWs were held) is not only Vonnegut's most powerful book, it is as important as any written since 1945. Like Catch- 22, it fashions the author's experiences in the Second World War into an eloquent and deeply funny plea against butchery in the service of authority. Slaughterhouse-Five boasts the same imagination, humanity, and gleeful appreciation of the absurd found in Vonnegut's other works, but the book's basis in rock-hard, tragic fact gives it a unique poignancy--and humor.
Of Mice and Men by John Steinbeck (107 pages)
Summary- Steinbeck refuses to allow himself to be pigeonholed. This is as completely different from Tortilla Flat and In Dubious Battle as they are from each other. Only in his complete understanding of the proletarian mentality does he sustain a connecting link - though this is assuredly not a "proletarian novel". It is oddly absorbing - this picture of the strange friendship between the strong man and the giant with the mind of a not-quite-bright child. Driven from job to job by the failure of the giant child to fit into the social pattern, they finally find - in a ranch - what they feel their chance to achieve a homely dream they have built. But once again, society defeats them. There's a simplicity, a directness, a poignancy in the story that gives it a singular power, difficult to define. Steinbeck is a genius - and an original.
Catch-22 by Joseph Heller (453 pages)
Summary- There was a time when reading Joseph Heller's classic satire on the murderous insanity of war was nothing less than a rite of passage. Echoes of Yossarian, the wise-ass bombardier who was too smart to die but not smart enough to find a way out of his predicament, could be heard throughout the counterculture. As a result, it's impossible not to consider Catch-22 to be something of a period piece. But 40 years on, the novel's undiminished strength is its looking-glass logic. Again and again, Heller's characters demonstrate that what is commonly held to be good, is bad; what is sensible, is nonsense.
Tuesday, September 1, 2009
Currently Reading
Winter 2009: GRAPHIC NOVELS
1.Watchmen by Alan Moore, Illustrated by Dave Gibbons (416pgs)
2.Blankets by Craig Thompson (582pgs)
3.The Complete Maus: A Survivor’s Tale by Art Spiegelman (296pgs)
4.Jimmy Corrigan: The Smartest Kid on Earth by Francois Voltaire (380pgs)
1.Watchmen by Alan Moore, Illustrated by Dave Gibbons (416pgs)
2.Blankets by Craig Thompson (582pgs)
3.The Complete Maus: A Survivor’s Tale by Art Spiegelman (296pgs)
4.Jimmy Corrigan: The Smartest Kid on Earth by Francois Voltaire (380pgs)
Subscribe to:
Posts (Atom)
